Detail Personnel

Ass.-Prof. Mag. Dr. Christian Haddad

T: +43-1-4277-49625

christian.haddad@univie.ac.at

https://sts.univie.ac.at/en/about-us/scientific-staff/wissenschaftliche-ma/christian-haddad/

Tieber, C. (2023). "Sound Design" im Stummfilm. In G. Heldt, T. Krohn, P. Moormann, & W. Strank (Eds.), Sound Design: Zur Musikalisierung von Geräuschen im Film (Vol. 5, pp. 9-22). edition text + kritik.

Tieber, C. (2023). Narrating with Music: Screenwriting Musical Numbers. In C. Tieber, P. Russo, & R. Davies (Eds.), The Palgrave Handbook of Screenwriting Studies (pp. 277-294). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-20769-3_15

Tieber, C., Russo, P., & Davies, R. (Eds.) (2023). The Palgrave Handbook of Screenwriting Studies. Palgrave Macmillan. https://doi.org/10.1007/978-3-031-20769-3

Tieber, C. (Ed.) (2023). When Music Takes Over in Film. Palgrave Macmillan. https://doi.org/10.1007/978-3-030-89155-8

Tieber, C. (2023). The Rhythm of the Night: Abstraction and Sexuality as Destabilisers in Austrian Silent Cinema. In C. Tieber, A. K. Windisch, & P. Powrie (Eds.), When Music Takes Over in Film (pp. 75-93). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-89155-8_5

Tieber, C., Krauß, F., Ksenofontiva, A., & Henschen, J. (Eds.) (2022). Drehbuchforschung: Perspektiven auf Texte und Prozesse. Springer VS. https://doi.org/10.1007/978-3-658-38167-7

Tieber, C. (2022). Two Girls in Different Trains. In D. Robnik, & J. Schätz (Eds.), Gewohnte Gewalt: Häusliche Brutalität und heimliche Bedrohung im Spannungskino (pp. 80-83). Sonderzahl.

Russo, P., Davies, R., Ksenofontova, A., Leal, R., Macdonald, I. W., Maras, S., & Tieber, C. (2022). Roundtable: Pushing the boundaries of the Screenwriting Research Network. Journal of Screenwriting, 13(1), 115-134. https://doi.org/10.1386/josc_00085_1

Tieber, C. (2022). The screenplay as a means of communication: The case of Notorious. In C. Batty, & S. Taylor (Eds.), The Palgrave Handbook of Script Development (pp. 517-530). Springer International Publishing – Palgrave Macmillan. https://doi.org/10.1007/978-3-030-82234-7_35

Tieber, C. (2022). Fabelzusammenhang und Sujetbezug: Robert Rabenalts Dramaturgie der Filmmusik. Musik & Ästhetik, 26(101), 106-109.

Tieber, C. (2021). ReFocus: the films of Paul Leni. Early Popular Visual Culture, 19(4), 1-2. https://doi.org/10.1080/17460654.2021.1977370

Tieber, C. (2021). The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist, Julien Gorbach (2019). Journal of Screenwriting, 12(1), 116-119. https://doi.org/10.1386/josc_00052_5

Tieber, C., & Windisch, A. K. (Eds.) (2020). The Soundtrack: Special Issue: Musical Numbers in Silent and Early Film. The Soundtrack, 12(1).

Tieber, C. (2020). Screening transcendence: film under Austrofascism and the Hollywood hope 1933-1938: by Robert Dassanowsky, Bloomington, Indiana University Press, 2018, 496 pp., £55 (hardback), ISBN 978-0-2530-3362-8. Studies in European Cinema. Advance online publication. https://doi.org/10.1080/17411548.2020.1851996

Tieber, C., & Windisch, A. K. (2020). A highly creative endeavour: Interview with musicologist and silent film pianist Martin Marks. The Soundtrack, 12(1), 61-77. https://doi.org/10.1386/ts_00012_7

Tieber, C., & Windisch, A. K. (2020). Musical moments and numbers in Austrian silent cinema. The Soundtrack, 12/1, 7-20. https://doi.org/10.1386/ts_00009_1

Tieber, C. (2020). Rezension von Anna Denk Schauspielen im Stummfilm. HSozKult. https://www.hsozkult.de/publicationreview/id/reb-28727

Tieber, C. (2020). Musik im Film, Musik für den Film: Analysefelder und Methoden. In M. Hagener, & V. Pantenburg (Eds.), Handbuch Filmanalyse (pp. 97-110). Springer.

Tieber, C., & Windisch, A. K. (2020). Musical numbers in silent and early sound films. The Soundtrack, 12(1), 3-5. https://doi.org/10.1386/ts_00008_2